Photos: author
I came to Rishikesh to relax, to write, to bathe in the Ganga, to be left alone. It’s exactly as easy as I remember it being when I first came five years ago–the heart of the “banana pancake trail.”
Rishikesh is listed on the back cover of Lonely Planet as the yoga capital of the world. Unsurprisingly, there are foreigners everywhere, and Ayurvedic apothecaries, massage centers, Nutella, Sai Baba-branded incense, chillums.
Didi’s East-West Café and Little Buddha Restaurant offer avocado lassis, cinnamon rolls, homemade kombucha. Eggs, toast, and weak Turkish coffee are available together in a set as ‘Israeli breakfast number two.’ These things are, I think, meant to seem familiar and comforting to foreigners; but it’s hard to pinpoint exactly where they’re native to. Tourists who met and talked philosophy over lukewarm beer in other cities run into each other here again.
Every day I indulge myself in an Americano in air-conditioned Café Coffee Day. There are big windows in the front that look out across the street at the local jeep stand. People stare in at the mostly foreign customers, sipping our expensive coffees and magenta-colored frozen mocktails.
I imagine we look comfortable, entitled, ignoring the world outside of our glassed-in interior. I have an odd sense of guilt at being here. It’s almost too easy. I get caught in this trap of equating struggle with valor, with worth. As though by choosing to stay here I’ve temporarily checked out of India.
I keep thinking about a question someone asked me when I was here three months ago for the Kumbh. Ben, a Canadian tourist who’d also gone to Haridwar for the big bathing day, had heard that my friend Neel was fluent in Hindi and quite knowledgeable about Hinduism and North Indian culture. Ben wanted to know what was “more authentic” about my experience of the Kumbh because I was with Neel. The question startled me; I had no idea what to say. But how fitting, to ask such a thing here.
Photos: author
A silk merchant in Banaras once told me about attending a family wedding in Mumbai. It was a lavish, modern affair; the tikkas, normally made from sandalwood powder, were made instead of the dust of pearls. Out of all the male guests, the silk merchant was the only one in kurta pajama; the rest wore three-piece suits. Everyone wanted to talk to him, listen to his stories told through paan¬-stained teeth.
They were delighted: here, in Mumbai, a pakka Banarasi! Indians, too, cling to a vision of the real.
What and where is this pure, pious embodiment of Indianness that we are searching for? If it exists, so must its opposite. Before I came, an acquaintance sent me an email suggesting some possible destinations. He mentioned Pune, but warned in capital letters: “It’s NOT INDIA.”
Yes, India is changing. But if Rishikesh, Pune, and the pinstriped Mumbai businessmen aren’t Indian, what are they? Are we willing to relegate them to being as countryless as the banana pancake? The truth is, one of the things that defines India for me is how fluidly, how comfortably seeming contradictions coexist here–in her landscapes, her experiences, her people–until they no longer appear antithetical.
Here in Rishikesh, I read the Hindustan Times over my Americano. Today’s cover shows a girl in profile sitting on a raised platform. Her eye makeup is heavy and she’s wearing mounds of red silk and a garland of marigolds around her neck. The caption explains: She is a fifteen year old living goddess, revered as an incarnation of Kali. Before her kneels another girl wearing jeans and a t-shirt. The goddess is blessing her. Both girls have just passed the high school leaving certificate exam; the goddess is the first sitting deity to ever do so. Her success in the exam “[has set] her on course for a career in banking” after she retires when she reaches puberty.
Every day I go to the beginner’s yoga class at the ashram where I’m staying. One night I get drunk with my teacher, Praveen, and he tells me it’s only an ashram in name. He refers to the owner as “fatty man.” Sometimes no one else shows up for class. When it’s just the two of us, he doesn’t touch the threshold of the room and then put his hand to his chest when he enters. He doesn’t ask me to finish the session with Om chanting like usual. I could feel disillusioned when another batch of students appears the next day and again he has us sing shanti shanti shanti, but I don’t.
Seven years ago Praveen left the business world, or, if you prefer, renounced it. He lived in the forest with his guru, practicing eight hours a day, eating enough to satisfy only three quarters of his hunger. He missed his motorcycle, his cell phone. His friends and his parents distanced themselves.
When he was young, they took him to hear famous babas lecture on the right path, the holy way. Now they want to know how he’s going to make money, if he’s serious when he says he won’t get married. These days he eats finger chips and oils his hair, and he has another scooter–its model name is ‘Pleasure.’ He likes telling stories about the discotheques he went to back when he was “commercial.” I’m still getting more flexible every day.
I spend another comfortable night at my fake ashram, the banker becomes a yogi, the goddess becomes a banker. Today she doles out blessings; tomorrow, pin codes and deposit receipts.
Should I be disappointed? She shares the HT cover with a story on a new three billion dollar international airport terminal and another about the recent slew of so-called “honor killings” in metropolitan Delhi. Authenticity doesn’t sound so pretty now. But it sure is shocking, it sure is different.
In the morning, I start thinking about going back to Banaras. But I won’t make any decisions before I’ve had my Americano.
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11 Comments... join the discussion!
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great piece! you carry your themes through so well and highlight the grey reality so much more interesting then the black and white cultural tourism we often seek.
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Janna White,
India is both an assault and balm to the Soul.
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I was in Rishikesh in 2006 and I miss it! I guess we expect things in a culture to always stay the same, especially if it is one “exotic” compaed with our own. But no culture has ever stood still, even India never has. I love the contradictions too. A day in the open, temples, noise, people, music. then in the evening the decision to make about which of the 100 satellite channels to watch in one’s room. Oh, that’s after a quick email session at one of the many internet cafes. And I dlo llve banana pankakes. Strange to say i have NEVER had a banana pancake outside of India. Time to return me thinks!
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You should try a little ground cardamom in those pancakes…
Strangely enough, I’ve never had a banana pancake in India! (Though I found them in more than one of the cook books I returned with.)
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Ahhhhh, India . . . the place that launched a thousand ships . . . I’m a five-timer myself, almost three years in country, and over a third of that time in Varanasi and Varanasi only. It’s changed much since I first went in ‘82 . . . and much has remained unchanged; and it that unchangeablitlity, that Eternal quality that keeps me going back to Varanasi. Showing up at my perch beneath a large tree at Tulsi Ghat well before dawn, stars still in the sky, not a hint of color in the east . . . but by the river, in it, the sounds of chanting . . . of water being poured into the river from small brass pots . . . laughter . . .
Before I first went to India I had no preconceived idea of what I would see, no agenda of any kind, no expectations . . . and in doing so, I believe I allowed India to simply be what it is, and am reminded that the Eternal is invisible.
(And as for “the Real India” . . . I find it no place more than on a train, and the longer the ride, the better. India for me is people, and they all ride the train . . . )↵ -
“As though by choosing to stay here I’ve temporarily checked out of India.”
I think this can be sort of a problematic way of thinking about a country/destination.
Cafe Coffee Day is as much “India” as chai on a railway platform. India being a real place where real people live, a place with as many mass cultural changes and shifting identities as any other country has. We don’t say that eating curry temporarily checks one out of Britain, or that taking a yoga class temporarily checks one out of America.
That said, I can see how it can feel that way at a slick coffee joint in Rishikesh as opposed to the outlet in a place like Pune or Bangalore which is more associated with “modern” India rather than “spiritual” India. But then, isn’t compartmentalizing that way somewhat unfair to the country as a whole?
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Wow – your best post yet. I often think about the concept of “authenticity”, even in local contexts. Hipster versus yuppie, tourist trap versus local treasure, folk art versus passing fad. The various labels may be the very things that keep people – who may otherwise have much in common – from connecting. Thanks for sharing your experience so thoughtfully.
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You are such a gifted writer! I so didn’t want the story to end. You know, you just have to accept India for what it is, it’s an enigma wrapped in an enigma!
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I can relate to much of what you’ve described, having lived in Pune for half a year and having traveled throughout India. I think you’ve very eloquently described the experience of many an outsider, trying to reconcile their experience of the dichotomies that comprise India.
A friend of mine accurately put it, “You can say any one thing about India, only to discover that the exact opposite is true at that very same moment.” Perhaps this is a part of the authenticity of India?
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I love this. It’s so ridiculous when people make claims like “It’s not real India.” Who does anyone think they are to make such statements? A country is diverse. Because it doesn’t look just like it’s stereotypes does not make it inauthentic. To try to keep a certain image of ALL of India (and how ridiculous is that) is both ignorant and rude. Indians have a right to be any way they like.
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